Carl Vigeland

THE MOSTLY MOZART GUIDE TO MOZART (2009)

"Vigeland offers a brief biography of Mozart followed by
a larger section devoted to his oeuvre. The author
chooses among his favorite pieces and lists his favorite
recordings; the book's longest and most satisfying
section is an analysis of Mozart's operas. Vigeland
avoids musical examples and employs a jargon-free,
conservational style. He includes entertaining sidebars
and commentary from such musicians as Emanuel Ax,
Placido Domingo, and Aaron Copland. Vigeland writes
in such a compelling way that amateurs will be
immediately drawn in to this slim volume. Professional
musicians will enjoy his personal reflections and
incisive commentary."
— Library Journal

JAZZ IN THE BITTERSWEET BLUES OF LIFE(with Wynton
Marsalis) (2001)

“American jazz sweetheart Marsalis gives readers a seat
on his old septet's tour bus for a ride down memory
lane. It's the early 1990s, and the trumpeter is coming
into his own as a composer, despite his tight road
schedule (check-in at hotel, go to sound check, eat
supper, iron the suit, play the gig, snooze a bit, hit the
road). Should a day off (or a few free hours) arise, he's
speaking at a local school, composing a ballet,
recording an album or playing a ballad to his sons on
the phone. 'He'd take his naps in the next life,' writes
coauthor Vigeland, who tagged along on tour.
Marsalis's productivity and growth during this period
would lead to nine Grammys, a Pulitzer (previously
awarded only to classical composers) and his
directorship of the Lincoln Center Jazz Orchestra.
Loosely using a sort of call-and-response style, the
book swings between Vigeland's (Stalking the Shark:
Passion and Pressure on the Pro Golf Tour) fly-on-thewall
documentation and the poetic solos of Marsalis,
philosophizing on jazz, joy, love and life all synonymous
for him. 'The narrative's logic is one of feeling, not
geography or chronology, and it develops accretively,
elliptically,' explains Vigeland. At their best, the authors
show how Marsalis's road experiences shape his music
and the tightness (musically and personally) of the
septet. The glimpse into Marsalis's New Orleans
upbringing in that famous first family of jazz (Ellis, his
father, and Branford, his brother) fascinates...Other
biographies on Marsalis exist, but this is notable for its
mixture of an outsider's perspective with that of the musician."
-- Publishers Weekly

IN CONCERT: Onstage and Offstage with the Boston Symphony Orchestra (1989)

“An absolutely fascinating book dealing with tension —
artistic, musical, and personal tension between the first
trumpet player of one of the most venerable orchestras
in the country and the conductor, Seiji Ozawa. Music is
the background, but the theme is really a conflict of
two people with two completely different approaches to
art — and to life.”
-- Studs Terkel

LETTERS TO A YOUNG GOLFER (2002)

“Both the father and the son of pro golfers, and a golf
instructor and Senior PGA pro in his own right, Bob
Duval shares the wisdom he's accumulated from years
on the course in Letters to a Young Golfer. The book
takes the form of actual letters to his son, David a PGA
celebrity and 2001 British Open champion and to other
friends and family members. The subject on the table is
usually golf Duval muses about strategies and looks
back on his own career and encounters with PGA
luminaries but through the letters a more intimate
history of the family emerges, including the father and
son's long estrangement, sparked by the death of
David's older brother.”
-- Publishers Weekly

STALKING THE SHARK (1994)

"A fine book."
— Herbert Warren Wind
"A neatly crafted account of life on the PGA Tour."
-- Alex Beam, The Boston Globe

GREAT GOOD FORTUNE: How Harvard Makes its Money (1986)

"[An] intricate and engaging account...penetrating"
—The Washington Post